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Fringe Festivals

The first time I heard about fringe festivals was just a few years ago. Columbus has one which offers, over a week’s time, a little bit of everything: music, dance, theater and spoken word. One of the best storytellers Ohio has to offer, Lyn Ford says these festivals are like the fringe on a piece of cloth. The fringe goes around the outside and is meant to decorate and enhance the material on the inside. What makes me so happy to see fringe festivals popping up around the country is that they are such a breath of fresh air in response to so many canned, unchallenging and expensive live performances. Just the expense aspect by itself of going to see or hear any performance these days is enough to make you stay home.

My favorite fringe event is at the National Storytelling Conference. For the past two years, the conference has asked for submissions from anyone interested in having the stage for an hour. The shows can be risqué, but, so far, I haven’t, and I have been hoping, seen anything shocking. Every performance has delighted me. The best part of the submission process is that everyone’s name goes into a hat and the performers are drawn at random. I like that best. As an audience member, I get to see a wide range of people on their journey as storytellers. Nancy Donoval was the first teller I saw in a fringe setting. I was tired from a day at the conference and was glad for the wine and chocolate being passed around before she started. Nancy took me and every other audience member, squeezed in all together, on a trip, using personal and conventional stories, through her life. When we were done, I wasn’t tired. I was relaxed, glad to be part of the family around me.

Next year, for the conference, I get to be on the Fringe Festival Committee. I don’t know what that will mean exactly, but I have to say that the fringe offerings have become my favorite part of the conference. So, maybe, it’s good I’m in that group. Sitting down to listen and watch each performance fills me with curiosity and excitement. How will this person tell their story? What will it be? I can’t wait

Storytelling in Columbus


Columbus Story Adventures is now four years old. We’ve brought six week sessions worth of stories accompanied by books and workshops to organizations all around the city. Yesterday, we met to discuss the possibilities of moving out from under the umbrella of the Storytellers of Central Ohio and use the grant offered by the Greater Columbus Arts Council to become an entity all on our own. Only four showed up for the big discussion, including me, however. Everyone present acknowledged the work and desire needed to move forward, and, since only four of us were present, we concluded that our group wasn’t ready. Instead we targeted finding two organizations for next year who would like to work with us.

I feel good that a direction was chosen, but concerned that we are muddling forward instead of striding. I get the feeling that a structure is needed, so that everyone knows their role and how to contribute.

Storytelling and Mathematics

Yesterday, I spent an hour and a half waiting in a doctor’s office. The up side is that I had plenty of uninterrupted time to get a good look at Oral Storytelling and Teaching Mathematics: Pedagogical and Multicultural Perspectives by Michael Stephen Schiro with Doris Lawson. Sage Publications published OSTATM in 2006. Mr. Schiro, once Chair of the Department of Teacher Education at Boston College, is currently professor of mathematics at that institution.

I got a used copy from Barnes and Noble for $30. It can sell for $60 when it’s new. The book is an explanation of how two epic stories, one entitled "The Wizard’s Tale" and the second called “The Egypt Story", were used in Doris Lawson’s math classes when she was a fourth grade and a sixth grade teacher. Epic stories are very long stories told over a period of time. Each story lasted about eleven class periods.

Mr. Schiro, the author of Ms. Lawson’s stories, is very careful to explain why storytelling is important in teaching and particularly why long-term or epic stories are particularly effective. He describes each unit clearly and in detail. The final chapters contain information and studies supporting using this type of storytelling in a mathematics classroom and it benefit to different school age populations.

A CD accompanies the book. The CD includes the complete text of the two stories plus all additional material needed to do the stories with a class.

The book is a great affirmation of the importance of storytelling in school, with its emphasis on teaching math. I found the text heavy to wade through, however, because of its completeness. Because I have done some work with my friend Rita, a sixth and seventh grade math teacher, I skipped to the parts that I felt would interest her. The CD, in particular, brings the whole picture together. It is very approachable and very readable. When I share this concept with Rita, I will probably send her the CD and talk about the rest as needed.

Last year, I told several Halloween stories to Rita’s classes, and we worked math problems into the stories. Mr. Schiro would say, I think, that the experience could be improved by creating one long story in which characters are revealed and the plot evolves and time is allowed for more involvement with the project. As a storyteller, I would love such a collaboration. Oral Storytelling and Teaching Mathematics, however, is written for a classroom teacher to do it all.

Mr. Schiro’s ideas remind me of the big stories in the Montessori classrooms. Those stories are almost biblical in their presentation, and the curriculum and manipulative materials are built around them. I have only seen those stories presented once or twice. I was a preschool kindergarten teacher, and those stories don’t come into play until the Primary grades, but they are used all the way up through Middle School. The stories are so critical to that curriculum, I wonder how the teachers see them. Are they magical beginnings or are they something to be endured because they are dictated. I’m wondering because I know they were told each year, but I don’t remember any fan fare on the days of their telling.


Jan.6 08- Here's a comment on the book by my teacher friend Rita
I've looked over the book, but there was no way I could plow through and read it all. The CD is nice in that it gives teachers the opportunity to easily copy the basic stories and lessons.

I feel the book does offer practical applications of math concepts via the stories. The typical word problems normally offered in math classes don't engage students because they're simply snipets. Longer stories do tend to draw students in and make them feel part of the storyline. These types of stories would help kids not only to remember the plot and characters from day to day, but they'd also motivate students to want to solve the characters' problems. I feel it would work in a classroom because the students, especially the younger ones, would care about the characters and want to help them through each dilemma.

As far as the actual book is concerned, I feel it's dry, redundant, and not reader-friendly in the parts where the theory is offered. It's a good idea, but I wanted the authors to get to the point and stick to it! Teachers already know most of the information they were trying to impart in the theory portion!

The Board Meeting

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    Click here for a great comic. I did the writing and Nelson drew the pictures. You can see his picture. Click on each drawing in turn to enlarge it and read the story.

Kiss The Bride

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    Click here for a great comic illustrated by Nelson and written by me: Sometimes truth is stranger than life.

Squeaker and Other Sidewalk Stories

  • Squeaker is my new CD featuring sidewalk stories with a city twist. It makes great family listening. Give me an e-mail, and, for $15, I'll send you a copy. Scroll down to the February 8 blog entry for a description and a good picture.